Godless Women is a personal prism of (three) Arab women who have escaped from political oppression, intellectual co-option, or religious custody in their homelands. The play depicts a significant phase in the life of the three women, Ameena, Mariam and Reyhana, when they hover between the past, the present and the future. The characters journey to reach Germany with ruthless smugglers, who seize each chance to exploit their powerless passengers. As they reach their destination, they realize that they are now under a wider and a more complicated type of oppression: an all-pervasive Western superiority, subordinated by an epistemological and ontological clash of civilisations and citizenship. Ameena, Mariam and Reyhana are jeopardised by identity markers of inferiority as women, Arabs, Muslims, and refugees. The three women come to Germany on fake passports or through illegal routes, either by walking across borders or coming by boats. They are aware that their nationalities, religion and race cannot grant them legal entrance to Europe – especially after the Arabic Spring/upheavals. They belong to a geographical area where lives are ungrievable.