Some time before the revolution of 2011, the playwright had already envisioned the kind of revolt that was about to explode, and -with it- the necessity for an artistic expression that would bridge the gap between the unspoken oppression and the manipulated platforms of public opinion. In that context, she created “Made in Egypt”, a story about an Egyptian Bo-Azizy, a man who -instead of setting his body on fire like in Tunisia- kills his own family with a poisonous meal. Not far from reality, the story had many connections with several incidents of Egyptian fathers killing their own children out of mercy, and sometimes killing themselves afterwards. The facts of poverty and de-humanisation were beyond imagination.
Here the father eventually fails inches crime. The poison had no effect. Like many products carrying the mark of “made in Egypt”, the poison was a failure. Although a happy failure, the highly dramatic event in the text is a double criticism towards oppression and poverty on one hand, and towards the massive failure of Egyptian industry and economy, a failure of Egyptian nationalism. Staged in 2019 under a new title: “A Broken Window”, the play shows a middle class family that is stuck between poverty, ignorance, superstition, corruption and the continuous sexual harassment against women.